Friday, August 29, 2008

Phoenix and The Valley of the Sun




I'm in Phoenix.
Feeling a little tired. Been traveling or on my way to traveling or being in transit most of the day.
Here we are!
In Phoenix, or rather now Tucson, some miles south of Tucson.


And this is my first time in the Southwest and I love it. Maybe this state of being a little tired will not shelter the excitement and sheer pleasure and wonder at arriving at this place. Somehow I knew I would like it. It is amazing and quite different from the terrain and landscape of Memphis and the Mid-South, the Delta. Wide. Open. Sky. Clouds like one would not believe. And just this openness and this feeling.






That will likely return again tomorrow as we head out to Patagonia (AZ, not the famed of one in Chile)
San Francisco area was somewhat like this, though different. The pace of life feels different. We were stretching down I-10 just as easy, and my mother remarked something to the effect of this doesn't feel like the interstate, the pace of it you know.


Looking at a place with new eyes. Plopping down somewhere you have never been and opening your eyes, opening yourself, your senses to what lies around you. "There's something there."


And there is so much around you here.

Simply because there's so little, there's so much space. You are enfolded in that space, not like a pillowcase or smothering, but by the sheer awesomeness of the sky and the space reaching around, the sky, and reach-ing around you.


Setting yourself down in a place you have never been. And too with traveling, sometimes there are just places you will love, that speak to you, or that you speak of, or whatever conglomeration of speaking.
Oh shoot, and then you just feel so grateful to be there. Man, sometimes I'll reach a place and just be so grateful to be there, it'll just fill me. To physically be there, in this place, with this/these people/person, at this exaxt moment. To be there. And then when you are that grateful you just have to sit with it. Man, you know when something is so good, you just have to sit with it. Can't do nothing else. You already got it.

That's how I felt last week in Washington. Got to chill and take a space and some time with some extraordinary people and friends of mine. Jillian White (Wes 08), native of that area and my girl Kyja from Spelman daze ( we both began fall 04 and ending up trucking it out of Atlanta after the first year ( for all it gave us and the friends). My dude Austin Purnell (Wes 08), got to chill with him and his family for a bit. His awesome filmmaker sister Tara Purnell. Both of them doing amazing things ( More on that in a lil bit).


Oh and word of word got to reconnect with some old Spelman and Morehouse buddies Ashli and Hyon making themselves a life. And bringing themselves up a new life. Bringing up baby!

But Whoa. Flashback. Reconnection. Memory. So much love and appreciation. Knowledge that Spelman, that time, and the people, the people, the sights, the scenes were not an illusion, but that I was there and witnessed these beautiful people, these beautiful people doing their thing. All of our multi-faceted and multi-farious things. And all finding ourselves, coming to that process in so many ways. Creating together in time and space.


Days walking back and forth across spelman, over into Morehouse terrain, down Lee Street, that gates. Those gates of Spelman. Daze. Days.

Man, and these two were seniors when I was a freshman, so.. geesh.. without them even knowing prolly, man I was so emotional to see these two, like almost tearing up at the appreciation. Man! We represent and are so much. It was almost like coming home to a memory that for a long time was in your head. ( I've been Wesleyan rolling for the past 3 years. )

But for real .Slick looking up to those two and other ones then, and still thinking of them now. Slick meaning. meaning.

I'd post some pictures of those Spelman Days, but most all of them are from my film, pre-digital era. Soon soon.

But... Phoenix. AZ. Or Arizona. More soon. Or rather lots more. There are a couple of posts I've had pushing at my mind. On the assembly line.
With heart. With love.

INTISAR

Thursday, August 28, 2008

Buggin OUT!

AhhhhhAHHHHH!

my girl Isa Nakazawa ( Wes '08)
at bugginout.wordpress.com

words. words. words. no words for it.

can we talk about words?

word.

-i

Interstitial- I have a fondness for the interstitial

In between places are places.

-Martha Jane Kaufman, Wesleyan' 08

I was thinking about this quote just now. Jane said this in a conversation with me, just about some 2 years ago now. And a few days after I scribbled it all across a full page in my journal. And I thought about it, because it made so much sense to me in so many many ways. And it rings with something, some kind of promise of finding, and the filling, the purpose of almost everything. To me it talks about space, the space we move in and the space we go to, the places and spaces and people and moments we reside in and those we think about, dream about. the getting there. the going. the coming. the being around, just the being around ourselves. This state of moving-movement and flux and choice, once again a life. Martha Jane is a moverdancerchoreographer- or at least that's just one part of the many words I can use to describe her. Or maybe those are just things she does.She probably knows more or even different words, but.. yeah
I was just thinking about that.
The promise of the in between, how those too are full. can be..

I

Monday, August 25, 2008

DC Metro

LiFE.

Just got back from washington, dc.

-i

Monday, August 18, 2008

NW0896 NYC-KENNEDY - DETROIT




made it

Live Update: JFK to neverneverland




I spoke to a friend of mine on the phone a few days ago who told me I was getting a little spare with the posts. And it's true. I admit.

So in honor of.. the absence. the reasons of which I might expand upon later.. here's a random live update.


I'm posted up in JFK in NY trying to get out of here. This is me as I currently am, hoping to catch this 4:24 flight out to Detroit and then on to Memphis.

Travel. And where the frick we are going! Actually, bodily, physically.
And otherwise
metaphorically
symbolically
along the twisting journey of our lives


and here I sit in limbo land.
There's something about being in the airport when you seemingly can't get anywhere.

You begin to question some of the basic assumptions of your life.
Where am I going?
What do I do when I am sitting here?
Should I read a book, pick up Paoulo Coelho's "The Alchemist?" for 12.99 or something like that.

Should I muse? Where should I go?
I tried to get a flight out to Portland as well. Then contemplated going to Washington. Then seemed to run up against some roadblocks, but then after that happens sometimes you have to do other things. And maybe that sounds vague, but that's what it is. Not knowing sometimes where you are going. Then
just taking control of whatever it is .. a tension a partnership between being free and being in control.

I don't know where I'm going yet.
I would like to leave New York.

But then.. ( and she ponders the possibilities double time and over and up again)
there can be power in not having the answer..

you find you have to push past the answers you would come up with normally.
Maybe you'll do something you've never done before.
Maybe you will come up with a new solution.
Or a new question.

But yea.. yea..

invention?

Friday, August 15, 2008

here i am

manhattan.
bronx.
tomorrow new hampshire
vermont
onto
maine

Monday, July 28, 2008

lEMON pOPPY sEED


The job description of graphic designers has changed. Classical graphic design
is now being influenced by various design principles from the areas of typography,
illustration, art and installation.
Exciting work is currently being produced that is not necessarily created by
graphic designers, but by independent spirits who work in interdisciplinary
ways with a variety of skills. This new generation of talent is developing a visual
vocabulary that is refreshingly off-key and inventing their own original design
language.
Lemon Poppy Seed is a compilation of work by these young, international artists.
Their styles defy current trends and classifications and are all the more brilliant
for doing so. The 272-page book takes readers on a whirlwind creative journey
that proves that these newcomers are a creative force to be reckoned with.
Lemon Poppy Seed is the perfect source for those who want to see the organic
development of new artistic terrain before the mainstream attempts to erect
shopping centres upon it.

BPM
do good work)s

Wednesday, July 23, 2008

doing it! yikes!

The People Actually Could Fly



* PHOTO: Alversa Williams Lee ( Our Grandmother) reads THE PCF, Memphis, TN August 2, 2007
January 6, 1911- October 9, 2007

Monday, July 21, 2008

Confessions/ The People Without a Name




This post has been waiting on itself for a minute.

I'm home. Just got back in from NYC, had been there for about a week, with a brief sojourn to Philadelphia. It is good to be home. Even as it was good at the time to be leaving here.

This place has changed for me. This dot in mechanical electric, space this wavering island of our intention

I have this thing where I write. I write things. Or I have to. They aren't necessarily structured and I don't always plan what I sat before I say it. I like it that way. And I find that it works. And I find that I get to saying something that I needed to say but hadn't before then had the words, to even articulate the pieces to myself.

I wanted to write two posts here. earlier.
And I had two names, one for each
One, Confessions.
And Two, The People With No Name.


There's just so much to say. We've been writing here for over a year now. I've been writing here.
It started out as this thing. I was talking to myself as much as I was talking to anyone.

These days I've been feeling out the separations between this project and my life. What owes what? And where one begins and another ends?

And baby grows up.
Baby grows up? And baby meets new people. And baby spreads. And you aren't the only one holding baby. Baby.

Dear Baby.

Dear Baby?

What is this project? It's not mine. It's not just mine. But I am steering it for the time being.
Holding it's hand.

But baby is also old.
Baby is also older than me. Baby has an old people's spirit too? And speaks part of an old people's voice.
Other people have ushered her and carried her through,
Baby is a story being told, and only just really coming into another day of herself.
And right now we're just the one's holding her hand.
It seems a little hard sometimes. Making the right choices for baby.
And making the right choices for myself ?

I really believe though. I really believe in the power of a story. And that makes it real for me. That makes it a real quest. That makes this a real quest. It is not make believe. Though what is make believe?
Is make believe, making believe/belief?
Maybe we should all make believe?

Inverting the make believe? Believing in our makings?

Making believe?

Believe. But it's more than that.

It's believing into action.
And believing when nothing seems like nothing.
Believeing then?
Believing then.
Be living then?

I have some hopes for this project. It's halfway attached to my life right now. It's true.
Though we'd be alright without each other. The story'd still live and still find itself winding in and out of our lives. I talk to people all the time who remember the story from Virginia Hamilton's "The People Could Fly". I talk to people, my generation who had the book and tape set. And yeah.. it's lodged in so many people's memories, as it is in mine. Virginia Hamilton really did something great. People are walking around with the memory of this story inside. Them. Stories never leave. Even when you forget them.

What other kind of thing could you give someone that will stay with them even when they forget it?? And when all seeming evidence is gone? What kind of gift can you give someone that might just stay with them forever?

I have some hopes for this story. I have some hopes for it. And that is my part. And that is tied to a memory. And that is tied to a pulse. And that is tied to something I know I have to do.

Intergenerational narration. Arnold Adoff spoke of that.

And a story like a life winds through us. It all winds through us. And finds passage. As we find passage. As we go on.

I am trying to decide what to do on a lot of fronts here.

And it has something to do with all the people who have not been named.
and also all the ones who have.

*PHOTO: Thursday, July 17. En route Philadelphia

Tuesday, July 15, 2008

Respect Yourself!





Was watching some videos with a friend...the chicken man from Virginia they call him.
Inspired me for sure.

Monday, July 14, 2008

Brooklyn


I'm in Brooklyn, rolling around, talking to people, finding friends, writing plans, interviewing,
seeing what there is to see and all that can be done- or rather the part of it that I would like to do.
Got myself a 7 day metro card so that's sweeter than apple pie. not really, but you know? very good. runamuck. runofthecity. follow the whim. sometimes you get lost, but then you go back to the last stop you knew where you were and figure it out again. or ask someone. you can ask people for directions. accept them or not. but you still gotta get there yourself.
you know?
boom boom. blast.

Intisar


Thursday, July 10, 2008

I'm going to publish two important pieces on here by tonight. Expect

Justin Nozuka- After Tonight

I'm feeling this song and this dude. 19. Sweet. Beautiful. Clean.
It's cut.

After Tonight - Justin Nozuka

Believ

Wednesday, July 9, 2008

"mystery of mystory"

"it's a mystery that only seems to deeper with investigation"

-Quote from a documentary i was watching today about scientists out on the ocean investigating the behaviors and lives of whales. I don't recall which kind. Perhaps sperm whales. They were listening to the intricacies of their whalesongs.

But i think this idea.. applies to everything.. and this. We've been working on this research about dreams and life through travel and story and possibility (so many names for similar things) for about 16 months and haven't made our way back out the door yet. You just keep going deeper. And yet when you're really doing it, it all just seems like a beginning.

Sunday, July 6, 2008

LIFE. Sometimes I wonder.

-I

Saturday, July 5, 2008

" Why fly when you can float?"

Another notable NYTimes post.
I did a paper about the HIndenburg in elementary school.
This looks very nice.


* I think this is a model. Not sure though.




-I

waterways

..and then there's the point when you're working on something and you're getting increasingly theoretical and philosophical. and you're getting down to the words you're using. you're using the dictionary and you're oxford english dictionaring it. you'd like for it to sound right.
you'd like for it to ring. and to have all the intention inside .. all of your hopes.
what's the difference between the word and the meaning.
specifically if you're making your way to something of your own making..
swimming to it like a fish.
Can there be a synthesis or a mirroring of the words and your very first perfect intention.
Or is this a moot point.
Should you try your best and know you'll make your way there? by and by
Getting Actual. Bring your possible. into being.

flowback: the salmon of knowledge

This is a post from last year. that is really relevant today.

Sunday June, 17 2007

Today I woke up. Today I am eating cereal. I woke up with the intention of writing something here most immediately. I had some interesting dreams.
How to tell?
How to tell anything really.
Had an interesting day yesterday. That entered my dreams in a weird way.
Yesterday a man came up to the booth and we started to talk to him. He told us about his dreams.
He said his dream was to go to the motherland and have lots of children. To have lots of wives so he could have lots of children. It seemed like he was for real and he seemed pretty genuine about that. about having lots of children. When in Senegal the father of my homestay family had another family somewhere else in Dakar. He would leave for a couple of days and be back later.
I could go into the politics of and my feelings about that but its not in me today.
Last night I dreamt I was in a old mansion house. And Mary J. Blige was there for a minute and she had just had a baby and I was like how did Mary J. have a baby and me not know about it. But anyway the house was spirited of the old people that had been there before. And in an upper case room all this old money, these old coins, gold and silver of all kinds, old as in coins of the past, like dubloons, etc. were coagulating in the room above the room I was staying, in the corner against the wall by the door .. Mary J. Blige was staying in that room and there was some other lady as well, but anyway. it was like a water leak and all these various old coins were leaking down to the room I was staying in like dripping. There was also a man 40 something balding man who looked like a man i met recently.. he was like a curator.. or the concierge of this place. He knew the history. Some way or another I am chilling with this white girl with dark brown hair. And some how or another the coins are connected to this black girl who used to live in this house way back when and another white girl as well who lived there about the same age. Like in the early 1800s or 1700s. And the reasons why are not known but somehow in the lore of this place the records get switched up and their names and purposes are switched. Their names are Emily and Sarah. And the black girl was a teacher professor in this house mansion now museum but .. skip ahead.. so somehow me and this other girl are running.. and somehow we call out one of the girl's names when we are running and she comes crackling out of the back time though she has always been there waiting.. somehow she is still there though so much time has passed,.. their names having been switched and after her name is called in my mind's eye I see her coming in the distance.. crackling into from a dot in a storm cloud.. she is a dot.. rounding off a dark cloud.. in the far off distance.. way way away i can see her coming as i am running on the ground.. she on a broomstick in the air.. I don't know what she wants.. .or why we called her.
Some very interesting things are happening in real life time.
Today is father's day. Happy Father's Day all.
I am thinking about my father.
I am thinking about my grandfather who has passed away and my grandmother. It is so interesting. They lived in greenville, ms and the house is still there and its been empty and some people broke into it, into its sleeping state. It was a vault.. everything was precisely as my grandparent's had left it when they died. And some people broke in.. and brought themselves with them into the space.. and some I won't speak about . except to say who knew? and who why?
... and we are in Memphis..
so .. I guess what I am saying is... if and when you have memories of a place.. and the people who have lived in it.. that are loved by you and who you loved... and what a place is.. and what a thing is.. and what people are.. people who move and pass and die.. people who move and pass and die and linger in your imagination and your being.. and who are you to some degree.. what is that essentialness.. Most of my memories of my grandparents took place in that house.. so..
what is a house..
and what is memory..
and what is time
and what is change..
and what is essentialness
and thats connected to my dreams,
my past dreams and my future dreams
Honestly many things don't seem quite real these days.. particularly today
.. so here's to the things I like and how and when I like them through time.. here are some of the things I am dreaming

Friday, July 4, 2008

le monde


too tired to write,
but "been around the world and Ai yai yai"
*photo via NYTimes

Wednesday, July 2, 2008

if you can tell a story...

Tuesday, July 1, 2008

there's a lot to say.
it seems the matter is to simplify.

Sunday, June 29, 2008

Jay

jay-z--- regrets
This is just how you feel sometimes. Gotta learn to live with regrets.
"now is the time to do."

-zaven e.

The Fringe Benefits of Failure, and the Importance of Imagination by J.K. Rowling

I thought it proper to share this. Think what you. will.

-Intisar


The Fringe Benefits of Failure, and the Importance of Imagination
by J.K. Rowling


Speech Details
2008 Harvard University Commencement, June 5, 2008. Copyright of J.K. Rowling, June 2008

NPR.org, June 5, 2008


President Faust, members of the Harvard Corporation and the Board of Overseers, members of the faculty, proud parents, and, above all, graduates,
The first thing I would like to say is 'thank you.' Not only has Harvard given me an extraordinary honor, but the weeks of fear and nausea I've experienced at the thought of giving this commencement address have made me lose weight. A win-win situation! Now all I have to do is take deep breaths, squint at the red banners and fool myself into believing I am at the world's best-educated Harry Potter convention.

Delivering a commencement address is a great responsibility; or so I thought until I cast my mind back to my own graduation. The commencement speaker that day was the distinguished British philosopher Baroness Mary Warnock. Reflecting on her speech has helped me enormously in writing this one, because it turns out that I can't remember a single word she said. This liberating discovery enables me to proceed without any fear that I might inadvertently influence you to abandon promising careers in business, law or politics for the giddy delights of becoming a gay wizard.

You see? If all you remember in years to come is the 'gay wizard' joke, I've still come out ahead of Baroness Mary Warnock. Achievable goals: the first step towards personal improvement.

Actually, I have wracked my mind and heart for what I ought to say to you today. I have asked myself what I wish I had known at my own graduation, and what important lessons I have learned in the 21 years that has expired between that day and this.

I have come up with two answers. On this wonderful day when we are gathered together to celebrate your academic success, I have decided to talk to you about the benefits of failure. And as you stand on the threshold of what is sometimes called 'real life', I want to extol the crucial importance of imagination.

These might seem quixotic or paradoxical choices, but please bear with me.

Looking back at the 21-year-old that I was at graduation, is a slightly uncomfortable experience for the 42-year-old that she has become. Half my lifetime ago, I was striking an uneasy balance between the ambition I had for myself, and what those closest to me expected of me.

I was convinced that the only thing I wanted to do, ever, was to write novels. However, my parents, both of whom came from impoverished backgrounds and neither of whom had been to college, took the view that my overactive imagination was an amusing personal quirk that could never pay a mortgage, or secure a pension.

They had hoped that I would take a vocational degree; I wanted to study English Literature. A compromise was reached that in retrospect satisfied nobody, and I went up to study Modern Languages. Hardly had my parents' car rounded the corner at the end of the road than I ditched German and scuttled off down the Classics corridor.

I cannot remember telling my parents that I was studying Classics; they might well have found out for the first time on graduation day. Of all subjects on this planet, I think they would have been hard put to name one less useful than Greek mythology when it came to securing the keys to an executive bathroom.

I would like to make it clear, in parenthesis, that I do not blame my parents for their point of view. There is an expiry date on blaming your parents for steering you in the wrong direction; the moment you are old enough to take the wheel, responsibility lies with you. What is more, I cannot criticize my parents for hoping that I would never experience poverty. They had been poor themselves, and I have since been poor, and I quite agree with them that it is not an ennobling experience. Poverty entails fear, and stress, and sometimes depression; it means a thousand petty humiliations and hardships. Climbing out of poverty by your own efforts, that is indeed something on which to pride yourself, but poverty itself is romanticized only by fools.

What I feared most for myself at your age was not poverty, but failure.

At your age, in spite of a distinct lack of motivation at university, where I had spent far too long in the coffee bar writing stories, and far too little time at lectures, I had a knack for passing examinations, and that, for years, had been the measure of success in my life and that of my peers.

I am not dull enough to suppose that because you are young, gifted and well-educated, you have never known hardship or heartbreak. Talent and intelligence never yet inoculated anyone against the caprice of the Fates, and I do not for a moment suppose that everyone here has enjoyed an existence of unruffled privilege and contentment.

However, the fact that you are graduating from Harvard suggests that you are not very well-acquainted with failure. You might be driven by a fear of failure quite as much as a desire for success. Indeed, your conception of failure might not be too far from the average person's idea of success, so high have you already flown academically.

Ultimately, we all have to decide for ourselves what constitutes failure, but the world is quite eager to give you a set of criteria if you let it. So I think it fair to say that by any conventional measure, a mere seven years after my graduation day, I had failed on an epic scale. An exceptionally short-lived marriage had imploded, and I was jobless, a lone parent, and as poor as it is possible to be in modern Britain, without being homeless. The fears my parents had had for me, and that I had had for myself, had both come to pass, and by every usual standard, I was the biggest failure I knew.

Now, I am not going to stand here and tell you that failure is fun. That period of my life was a dark one, and I had no idea that there was going to be what the press has since represented as a kind of fairy tale resolution. I had no idea how far the tunnel extended, and for a long time, any light at the end of it was a hope rather than a reality.

So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had already been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.

You might never fail on the scale I did, but some failure in life is inevitable. It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default.

Failure gave me an inner security that I had never attained by passing examinations. Failure taught me things about myself that I could have learned no other way. I discovered that I had a strong will, and more discipline than I had suspected; I also found out that I had friends whose value was truly above rubies.

The knowledge that you have emerged wiser and stronger from setbacks means that you are, ever after, secure in your ability to survive. You will never truly know yourself, or the strength of your relationships, until both have been tested by adversity. Such knowledge is a true gift, for all that it is painfully won, and it has been worth more to me than any qualification I ever earned.

Given a time machine or a Time Turner, I would tell my 21-year-old self that personal happiness lies in knowing that life is not a check-list of acquisition or achievement. Your qualifications, your CV, are not your life, though you will meet many people of my age and older who confuse the two. Life is difficult, and complicated, and beyond anyone's total control, and the humility to know that will enable you to survive its vicissitudes.

You might think that I chose my second theme, the importance of imagination, because of the part it played in rebuilding my life, but that is not wholly so. Though I will defend the value of bedtime stories to my last gasp, I have learned to value imagination in a much broader sense. Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathize with humans whose experiences we have never shared.

One of the greatest formative experiences of my life preceded Harry Potter, though it informed much of what I subsequently wrote in those books. This revelation came in the form of one of my earliest day jobs. Though I was sloping off to write stories during my lunch hours, I paid the rent in my early 20s by working in the research department at Amnesty International's headquarters in London.

There in my little office I read hastily scribbled letters smuggled out of totalitarian regimes by men and women who were risking imprisonment to inform the outside world of what was happening to them. I saw photographs of those who had disappeared without trace, sent to Amnesty by their desperate families and friends. I read the testimony of torture victims and saw pictures of their injuries. I opened handwritten, eye-witness accounts of summary trials and executions, of kidnappings and rapes.

Many of my co-workers were ex-political prisoners, people who had been displaced from their homes, or fled into exile, because they had the temerity to think independently of their government. Visitors to our office included those who had come to give information, or to try and find out what had happened to those they had been forced to leave behind.

I shall never forget the African torture victim, a young man no older than I was at the time, who had become mentally ill after all he had endured in his homeland. He trembled uncontrollably as he spoke into a video camera about the brutality inflicted upon him. He was a foot taller than I was, and seemed as fragile as a child. I was given the job of escorting him to the Underground Station afterwards, and this man whose life had been shattered by cruelty took my hand with exquisite courtesy, and wished me future happiness.

And as long as I live I shall remember walking along an empty corridor and suddenly hearing, from behind a closed door, a scream of pain and horror such as I have never heard since. The door opened, and the researcher poked out her head and told me to run and make a hot drink for the young man sitting with her. She had just given him the news that in retaliation for his own outspokenness against his country's regime, his mother had been seized and executed.

Every day of my working week in my early 20s I was reminded how incredibly fortunate I was, to live in a country with a democratically elected government, where legal representation and a public trial were the rights of everyone.

Every day, I saw more evidence about the evils humankind will inflict on their fellow humans, to gain or maintain power. I began to have nightmares, literal nightmares, about some of the things I saw, heard and read.

And yet I also learned more about human goodness at Amnesty International than I had ever known before.

Amnesty mobilizes thousands of people who have never been tortured or imprisoned for their beliefs to act on behalf of those who have. The power of human empathy, leading to collective action, saves lives, and frees prisoners. Ordinary people, whose personal well-being and security are assured, join together in huge numbers to save people they do not know, and will never meet. My small participation in that process was one of the most humbling and inspiring experiences of my life.

Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people's minds, imagine themselves into other people's places.

Of course, this is a power, like my brand of fictional magic, that is morally neutral. One might use such an ability to manipulate, or control, just as much as to understand or sympathize.

And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know.

I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. Choosing to live in narrow spaces can lead to a form of mental agoraphobia, and that brings its own terrors. I think the willfully unimaginative see more monsters. They are often more afraid.

What is more, those who choose not to empathize may enable real monsters. For without ever committing an act of outright evil ourselves, we collude with it, through our own apathy.

One of the many things I learned at the end of that Classics corridor down which I ventured at the age of 18, in search of something I could not then define, was this, written by the Greek author Plutarch: What we achieve inwardly will change outer reality.

That is an astonishing statement and yet proven a thousand times every day of our lives. It expresses, in part, our inescapable connection with the outside world, the fact that we touch other people's lives simply by existing.

But how much more are you, Harvard graduates of 2008, likely to touch other people's lives? Your intelligence, your capacity for hard work, the education you have earned and received, give you unique status, and unique responsibilities. Even your nationality sets you apart. The great majority of you belong to the world's only remaining superpower. The way you vote, the way you live, the way you protest, the pressure you bring to bear on your government, has an impact way beyond your borders. That is your privilege, and your burden.

If you choose to use your status and influence to raise your voice on behalf of those who have no voice; if you choose to identify not only with the powerful, but with the powerless; if you retain the ability to imagine yourself into the lives of those who do not have your advantages, then it will not only be your proud families who celebrate your existence, but thousands and millions of people whose reality you have helped transform for the better. We do not need magic to change the world, we carry all the power we need inside ourselves already: we have the power to imagine better.

I am nearly finished. I have one last hope for you, which is something that I already had at 21. The friends with whom I sat on graduation day have been my friends for life. They are my children's godparents, the people to whom I've been able to turn in times of trouble, friends who have been kind enough not to sue me when I've used their names for Death Eaters. At our graduation we were bound by enormous affection, by our shared experience of a time that could never come again, and, of course, by the knowledge that we held certain photographic evidence that would be exceptionally valuable if any of us ran for Prime Minister.

So today, I can wish you nothing better than similar friendships. And tomorrow, I hope that even if you remember not a single word of mine, you remember those of Seneca, another of those old Romans I met when I fled down the Classics corridor, in retreat from career ladders, in search of ancient wisdom:

As is a tale, so is life: not how long it is, but how good it is, is what matters.

I wish you all very good lives.

Thank you very much.

Copyright of J.K. Rowling, June 2008

Saturday, June 28, 2008

Friday, June 27, 2008

"We all have our time machines. Some take us back, they're called memories. Some take us forward, they're called dreams."

jeremy irons

Thursday, June 26, 2008

Bessie Coleman





Bessie Coleman was the first African American (male or female) to become an airplane pilot and the first American of any race or gender to hold an international pilot license. She was American, but she had to go to France to do this. 1921
You look at something like this and can't help but think what kind of lineage. what kind of legacy. one leaves. and (is) passed on to you.and it makes you think that you can't help but to be so great. you know?
and then you think..you've already got them..
(f)lying (p)apers..and they're yours to take

~i

tuskegee land

Tuesday, June 24, 2008

Imagination Inspires Nations



Janelle Monae
Wondaland Arts Society

I first heard about Janelle Monae a couple years ago.
The lady's been steadily building.. and they are doing AMaZinG things.
Very good to see this happening. Extremely Inspiring. yES

From The Wondaland Arts Society blog:

"The Imagination Campaign embraces the idea of using Imaginations from every corner of the globe to form a collective that is conscious of its power and responsibility for future generations. In as much as The Imagination Campaign has everything to do with Janelle Monáe’s musical odyssey, it also highlights the individual activity of her supporters in a way that introduces them to peers in their surrounding area and encourages them to be fearless in pursuing their dreams."

We desire:
To encourage fearlessness To seek freedom through innovation & productivity To plant revolutions with the seeds of hope and knowledge

Keep it coming! y'all. Imagination YeS!
the PeOple CouLD Fli approve.

Amenta




Air

"I walked, I ran, I jumped, I flew
Right off the ground to float to you
There's no gravity to hold me down for real"


..I admit into this song. Maybe I'm late, but..
yes!

walk stand fly- detroit international







Monday, June 23, 2008

YES I CAN. WATCH ME DO IT

Transformers Rendition
GNArLS BARKLeY

We listen to this one song alot around this house
it makes me want to jump out of my skin and
do something. something. it makes me want get up and start
running around the whole world and deep. this!
It makes me want to jump out of my skin and be.
wonderful.ridiculous.everything. that i could possibly be.
you know? every single friggin thing.

A transformer. I transform.

the people can fly
such is this.

i think i can

start the fire

GracIous Fly



Amazing Grace
Mary Hoffman/Ill. by Caroline Binch

Sunday, June 22, 2008

DTW (A)llied Media Conference




WE SHOT DOWN INTO DTW Friday. Kalimah from Roanoke. Amenta and I, Memphis.
Coming in for the 10th annual Allied Media Conference.

And it hailed while we were there.
?
Jun?

Saturday, June 21, 2008

Friday, June 20, 2008

Be. fly. Believe.. that we bloom upon this stalk of time

These days I find myself at a loss for words. I mean I have words, quite a lot of them, almost as such that I don't know what to say when I come here. Where to start? What gives? What comes?
We're in the midst of a remaking and a reshaping, that we know.
Whether I should talk about the research, the reading, the searching be it online or in books or magazines. The clues to a living life. And staying current.
Whether I should talk about the musings, the daydreams, the night dreams- the dream.
Whether to talk about the meetings, the planning, we've been doing between ourselves.
Or the ideas that blossom.
And fulfillment.

I guess most of all we are deciding what to do.. next?
Both to complete various missions from the past year or the starting of new ones.
Still have some promises to fulfill.
But more than anything the feeling. that keeps you. It
keeps you as you keep it.
And sends you rolling.

Reaffirming to oneself the stated goal.
Learning again and again. Sometimes different lessons.
But also the same lesson in different forms, coming to teach
you in deeper and deeper ways about life
and yourself.

It seems to me that once you think you've got one thing, something
else comes along and you are questioning again. And maybe that's
the way it should be you know.

I think that's where I've been since Djibouti honestly.
Questioning again and feeling again about something.
And I'm still figuring it out.
Do you ever really? Complete understanding an experience and how you got there.

I was writing a paper in the past weeks really trying to articulate what happened to me during and after Djibouti. I eventually had to take that part out of the paper because it warranted more thought and articulation than the seeming time constraints. But I will likely post some of those thoughts.

But fundamentally what is it to transcend and to make one's way through a life. I see what's before me you know? But how do I navigate it and what part of that expanse I see stretching forward and inward is me? Where do I reside in the whole world?

I guess I approach these questions of life through travel and through the spectre of the adventure or the quest. It seems palpable for me there. Travel or the named of quest appears to be a means for me to grapple with the very substance of the world, with my mind you know and all those parts of me.

World. Myself. Movement. The dream. Conceptual. Actual. Intersections. And power of myself. The individual. Power of myself (the individual) in the waking world, not in comparison to others persay, but in this whole waking world as it spins and what I choose. Importantly, what I choose. And whether I choose to go southwest or northwest, due east or south. And that's a metaphor and an actuality for so many things. traveling. (ahh energy.. i think i'll come back to this question)

Travel. Movement. Choice. Actualization. And Importantly. If I am even real. If I am even real.
Because I am made of dreams even as I am made of a body it seems, and all things like that.

And it seems like if i should believe in myself, then I should believe in my own dreams.
And if I should believe in the dream, (they are inside me) then i should believe in myself.

What else is whipping round my head and heart (ahh heart, what a word -sometimes given with a connotation of corniness, but important- I shall come back to the heart later, but..) day and night? Some things that other people can see, but some they cannot.
And do I believe in it? Does it have a reason? Are they valid? Are they stable? Is this possible? Can other people see it. Oh goodness.
Or in otherwords, do I believe in myself? Do I have a reason? Am I valid? Am I possible?

And then you are filled with this great pulsing feeling to make it real. Honestly sometimes I'm often pummeled over by it.

Hmm. And start whirring.

You know in these explanations I often try to write to people about what this project is and what I want it to do, it seems like I run in circles.
Are we
an expedition
a documentary
a story
a mission
a group
a dance
an enactment
a life

why are we doing it? what do we hope to accomplish..
and i write things like

empower. or inspire. or share. or spark. or create. (and these all seem metaphoric or non-actual)

through the power of the story and the dream

or the power of the dream to ..
the people and the dream
the story and the dream

but all these things kind of mean the same thing to me

that we are
documenting dreams to
inspire people's dreams and their lives and their stories

that we want to share each other's dreams to do this

all these things revolve in a circle and influences the next
a story inspires a dream. a dream inspires a person. a person inspires a dream. a dream action.
people create action. a dream is a story. people are stories. people's lives are stories, or parts of them are.
It seems like you can use one for the next in an evolving circle. One inspires the next. They are seamless and part of a process. And you could keep going with that if you want to.
I never i think get tired of that circle.
The people. The story. The dream.
And they can all fly if the want to.

Something like it. We're getting there. We're coming up with ideas and planning on making it happen. To talk about dreams and share about them in a for real for real way, you know.
For real real.

And I keep coming back to this thought that a dream will inspire the dreamer to anything.. in a way that something else will not. If that action comes from inside and is fueled from inside, there is nothing like that kind of power.
What could we do in this world that we know, if more people, if everyone were using that power inside of themselves, were using the dream, their dream.

And then you can see why it is so important. Their's no fuel like it. Nothing. Not oil or .. anything else that is an energy source. Because it can be transferred and transfigured and transported from one person to a thing.

If a dream were an animal it could be every animal. It would be every movement and every song.

And then you can really travel. Then you can really move through the world.
I think of those flying machines on movies like Howl's Moving Castle and such.. just whipping about through space..

What is the output of such a mission to document, celebrate, and tell dreams across our global and personal landscapes? What is the value in that? And how could I prove it? And the purpose in such a mission..

to travel around the whole world
and talk to people.. young people.. my "generation", and everyone
to listen to people telling, musing, about their dreams-lives-stories (same thing right?)
to document them if they wish
to take that story and take that dream, carry it across space ( what is space) with my mind or my body or my heart (heart?)
to carry it across the world, to others, other people dreaming their dreams - at night time or in the day
to carry it to people maybe with a different dream, but with that same pulse- that same feeling! we share it, do you hear? we all know what that's like, whoever we are-
to start something (what is it?) a sound, an occasion, an enacting, a remembrance, a talking, a making
something
something
something!
about dreams.
you know when you have a sound
and it swells.. it swells.. and people are moved by that sound.. and they want to talk about their sound..
to begin a dialogue in a round of. the people. the person. the dream.
the dream. the person. the place.
and the inspired action that might come from that?

how do i document. how do you prove it. you go. you go.

I have a hypothesis. I want to prove the power of the dream. And the people in which that dream resides.

I want to prove the power of the dream to fuel the lives of the people. And the people to tell the story, and remember the dream.

It seems if you start there. You can go many places. Wherever you are or might be.

I hypothesize that the power of a person, a people, and a dream ( which are simultaneous)
works anywhere on the earth.. no matter where you are.. (which brings in the world, the mundus.mundi)

that i or you or me

or anyone

maybe that sounds bold because it seems that ideas about power are sometimes based on

geography

geography (what a word. is there power there. poke it with your finger. try it. see)

and the journey is a trying and a seeing. for my benefit and for the world's. and those who would like to know.
spectacle? belief?
but you see though.
i already believe.
i already believe.

And i say that to myself. and OH i get a running start. it is my dream purrring and revving up the motor. i think she already has energy.

oh testing. dear testing of a life.

let's see!

But I think I should go,

but in the meantimes... these betweentimes!

"; use yourselves : be : fly.
Believe that we bloom upon this stalk of time
"
-Muriel Rukeyser

Saturday, June 14, 2008

Friday, June 13, 2008

freeeeeeeeeeee
i'm free ok.
freeeeeeeeeeee

piercescreamyellconglomeration
stomp feet.
free
a thousand feet
stomping!

yikes!
sticky icky
its just sticky

gosh
jubilation.
we
jubilee

Sunday, June 8, 2008

simple// eh?

the positive
the mythological
the world
the mundus
round
no explanation
all that happens is eternal
no examples
no proving
possible

charles olson, poet
the name of this escapes.. i shall have by the morrow.

but yeah/ what do we think of this?/impetus

Tuesday, May 27, 2008

What An Exciting Time to Be Alive!
Cause its our time!

Monday, May 26, 2008

find a way

Saturday, May 24, 2008

catch a wind

Monday, May 19, 2008

Marcus Garvey.. The Black Star Line Continues

Part 5 of The Influence of Marcus Garvey..

Commentary too.. on this coming too.
I gotta make it to the end of this school stretch.
But as Amenta likes to say
"Here we come y'all, here we come.."
ha

Sunday, May 18, 2008

Steve Jobs Stanford Commencement Speech 05

A good friend of mine, (one of the above) led me on to this. I watched it tonight and am sharing.
Yes
Yes.
Yes. All of this. intuition. heart. connecting the dots. now. future.
all of this. just.
listen.



I might do some commentary on this later on.. yes!

think what you want. want what you. will.

cool kids

who are the cool kids? who are the cool kids? who are really the cool kids?
who are the cool
kids?
who are they? are they really?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids?
who are the cool kids? who?

who are really the cool kids? what about them and why?
what makes them? what shakes them?
and do you really believe in that?
do you really believe in that?

and do you really believe in you
?

nom name neme

I have just found a lovely site through thinking about words and sounds.

NeMe

AND THEIR
BLOG


Life and thoughts take you places.

Bring it back to the basics.

-Intisar

charles olson and jz on home avenue remember the days, while i pluck my hairs into strings of sound. she is suspended. she is suspended upon a harp

i'm going to start over
i'd like to ,
you know
that freshness of first sounds
the breakdown of pieces
we learn you know, to build up
upon ourselves until
we are faintly crashing
with our
with our
with our
magnanimity and
and and
our graciousness
ooh that graciousness of being
clap for me
applaud, oh yes

but i would like to speak of letters
crash down upon my words
dissolve them and
dissolve myself
into faint pieces
where i would
remember
where i would speak of pieces
to remember
and then build then again
a word of me worth remember
symbolizing
i am past the symbol
i am tired
the multiple complexions of ritual
hold me i say
i was born a world
world with symbol and sound
and you could name me nameless then
to be a world

i'm going to look through old boxes
and through them, unto doors
i am going back to the beginning, you
know
old places
first
they came
i'd like to go back to the first letters
which slipped past me
a letter it seems
given it was to my mouth
a letter like f, symbol
where i slobbered it into being
i slobbered it i say slobbered it and
rubbed round its sharp creases with my pound of wet rubber
its sharped creases
into sound worth having for me
sound worth having for me
sound worth having
oh sound i say
worth having for me

sound

i'd like to speak syllables
they were ripe for me
once

the foundings of my nature
stop this coagulation
of phonemes
phomemes
stop this coagulation
come to one
the steady wagging coagulation of me
i eat myself
and know not what
i eat
anymore

but sounds flies back
sound flies back
the return
i think
upon calling
the steady pieces of flying pieces dissolving
back unto me
unto me
as i was dissolved and coagulated
the sounds that have ate of me
and of my body
oh return
the blocks
the solidity of salts
and sans sound
of voice roiling
returning i see
the no naming none

i am tired
i am tired
come back come close
to me a sound a word a phoneme
a no naming none


COME CLOSE
GO FAR
COME ENCOMPASSING
one encompassing one
turn and stay still!
i say
turn you compassing i
encompassing me
turn and
stay in you
stay in you
stay you want of me-
still

stay sound. go to remembered of
blastings and the coming of

ings

go come now

come now i say

come lovingly lovingly *petering a word into outed existence

come now come now *diminishing

and
come now you sounds.

come now &

go

Wednesday, May 14, 2008

Going on, We going on..




Fr4ick lord, Yes! This is what I'm talkin bout.

Shouts to FilmmakerCreator Tiona M of Black.Womyn Productions.

and PurpleZoe of PurpleMag (JUST released her book MAGI, CHECK IT OUT!) for leading me on to this one.Maps!
Choosing!
Going!
Daring!
Being!
Running!
Mystery!
of Mystory!
MAps!
Can you tell a story?

Oooh beautiful leaning flying going believing
journeying brown people, I love you so hard. So hard.
This is the Journey! We are the journeys.

Going On, Gnarls Barkley. Directed by Wendy Morgan in Jamaica

Monday, May 12, 2008

...

braintwisters
mindbenders
this.
this

i

Sunday, May 11, 2008

opening to away she goes


I'm so excited I can hardly contain myself. But in an undercover way. Where I am itching. And you get a new idea! And you have a new idea! And you see a new way to do what you wanted to do. You know when you catch a wind. Or a break.. Or you see an opening. Or a way. Yes. Go!
There.

-I

what's in a name game

So I'm looking for a name.
How do you be right or good. It's soo late. And I wanna get this done.
Excuse my late nightness. I don't know how legible this will be in the ,morning.

I'm looking for a name that will be quick succinct and easy rollable off the tongue and easily remembered and not so easily forgotten

that has meaning and depth and feeeling and importance without being too simple or uninspiring or too corny or too sappy or simply overused such as a trope, so that it has almost no meaning
am i looking for a name that is a metaphor or an action
a noun or a verb

i am looking for a name that is an umbrella and also a brick one can build things with

i'm also looking for something easily lifted and also easily understood even if it happens to make no categorical sense

yet it also needs to be able to span the globe

it needs to be 'cool' but not at the risk of being cold or too flashy or empty

it must be composed of people which is real simple and complicated

it has to have lasting qualities the ability to be classic and new

fresh shiny and spanking

yet also contain the old stories.. there is such a thing.. if you can find the balance of wor/l/ds

old and new dreams
old and new people
new and old flights

such as that would be a sparking thinking a meeting between two such worlds that might really be one

like the meeting between yesterday and today.. if there is such a thing

that jump point when what is ain't
and what will be isn't but will be
maybe it is a thunderclap

ahhhh. i've been all throughout the thesaurus
because its to settle down
and make some unreal things real
somethings want to be born most certainly

like it won't phase out cant phase out still here

still subject

i'm dealing with words

naming what needs to be named and coming up with ways to say what doesn't have words yet but still is if you believe it is, naturally

naturally

Friday, May 9, 2008

Once upon a time in atlanta when she was dreaming of a fulbright and i was there






and then she got it.
Chantal James.. writing books and thangs in Morocco.
theglobalsouth.wordpress.com
holla!

Thursday, May 8, 2008

Night Flight: New York /

Muriel Rukeyser
Theory of Flight, 1935
from Night Flight: New York

Believe that we bloom upon this stalk of time ;

and in this expansion, time too grows for us
richer and richer towards infinity.

They promised us the gold and harps and seraphs.
Our rising and going to sleep is better than future pinions.
We surrender that hope, drawing our own days in,
covering space and time draped in tornadoes,
lightning invention, speed crushing the stars upon us,
stretching the accordion of our lives, sounding the same chord
longer and savoring it until the echo fails.

Believe that your presences are strong,

O be convinced without formula or rhyme
or any dogma ; use yourselves : be : fly.
Believe that we bloom upon this stalk of time.


---
one of my favorite poems Ever

-IA